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Rememory

    One concept from Beloved that I found particularly intriguing was rememory. Rememory paints the idea of memory as a dynamic, always-changing representation of an event, and in this regard, a central characteristic to an object or memory is the perspective from which you're viewing it. What an object is depends on the person whose perspective you're considering it from, as well as the time—past, present, or future—from which you're considering it.      For instance, I initially thought Sweet Home exists in the novel's present just as it's described and remembered by Sethe, but upon further thought, it's probably drastically different from what Sethe remembers now. Yet what matters is how Sethe thinks of and remembers it for what it was in the past, since that's what impacts her present and future most. Paul D remembers Sweet Home in a different way—even though he lived there at the same time as Sethe, he experienced different events and therefore, h
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Janie's Grandmother

     Although we don't see much of Nanny throughout Their Eyes Were Watching God , Janie's circumstances are heavily impacted by Nanny's values and subsequent decisions. Janie and her grandmother have strongly contrasting views on Janie's life decisions because of their experiences (or lack thereof) that ultimately put Janie in a situation that she is unsatisfied with.     For instance, Nanny's experiences with men are mostly, if not all negative. As the product of two generations of rape, she sees marriage as a practical tool that she can use to protect Janie. To her, life is a game of strategy, and growing up must occur through a specific procedure. On the other hand, Janie hasn't experienced much compared to Nanny and has a less harsh view of her environment, viewing her world through a romanticized lens.     N anny's happiness and satisfaction clearly depend on her view of Janie's well-being, and in this regard, her concern in Janie's coming-of-

What is Identity?

    What is identity? Is it how others perceive you, or is it how you perceive yourself? Is it how you present yourself, or could it be a combination of these ideas?       I found Invisible Man 's ambiguous and experimental viewpoint regarding the concept of identity really interesting. The book is an exploration of the concept of identity and it never solidly defines what identity is, but it seems to imply that a person's identity can vary depending on whose perspective you're looking through. For instance, from a reader's perspective, Invisible Man 's narrator's identity is comprised of (presumably) nearly every part of himself, while to the Harlem community, he's known only as a community leader who's part of the Brotherhood.      Another context in which I've been seeing many identity-related questions is college apps. Some portals have "identity" sections where applicants answer questions relating to their background influences and ot

The Brotherhood, Identity, and the Past

     As the narrator's career with the Brotherhood progresses in Invisible Man, he becomes increasingly prominent within the Harlem community. Although the he feels content with the job and how it allows him to express his ideas and passions, the narrator becomes recognized only for the version of himself he's supposed to present as part of the Brotherhood—not his actual self. In fact, his "brothers" express disapproval for even being too personal. As a people-pleaser, he doesn't question his forced identity shift and transitions smoothly, but as a result, he doesn't register that his newfound recognition and identity relies almost solely on the Brotherhood. His obliviousness seems a little concerning since the Brotherhood may not always be on his side. The narrator is so oblivious and caught up in his job that he doesn't even realize that he's selling part of his identity—his past—for it. Even if the narrator does feel genuine and enjoy his new identi

Authority in Invisible Man

    Despite Brockway and Bledsoe's stark surface-level differences in Invisible Man , they share many deeper qualities that affect the narrator in similar ways . Bledsoe's expelling the narrator the way he did was a complete shock to the narrator's prior perception of him as an authority, and Brockway completely undermines the narrator's perspective of what an authority figure should look like. In these regards, both Bledsoe and Brockway contribute to major developments in the narrator's critical consciousness, values, and assumptions.     Brockway is the exact opposite of anything the narrator has known or expects from an authority figure. From the narrator's view, Bledsoe is the quintessential embodiment of an authority figure—respectful and humble while still maintaining an unquestionable air of power surrounding him. Even when his "mask" of humility is lifted upon becoming angry with the narrator, the narrator still respects him for how he plays th

Bigger as Evidence

    As Bigger Thomas's situation intensifies throughout Native Son , he becomes used as evidence for other characters to promote their perspectives. In particular, Bigger is used by both Buckley and Max in strikingly different ways during the trial to advocate for their contrasting racial and economic opinions.        The most clear of these situations is Buckley's use of Bigger to further demean the African American race. Buckley argues for Bigger's death sentence and in doing so, he fails to acknowledge the fact that Bigger's situation (and that of many other African Americans in similar positions) wasn't entirely his fault and rather a product of the racial environment. As a result, nothing gets done about trying to uproot the systemic injustices shaping the racial divide and the black population is further subjugated.      In contrast, Max uses Bigger to protest the underlying systemic injustices that put Bigger in the situation he's ended up in. In doing s